This one-of-a-kind original artwork by DOES (Netherlands) titled ' Collage 52 - Misty Morning' is a hand-cut high quality art paper collage. Framed with museum Tru Vue AR70 artglass. Comes with COA.

Framed Size: 295mm (W) x 315mm (H) x 44mm (D)

This original black and white masterpiece by Dutch artist DOES was made for Limn Gallery's 'Monochrome' international urban art group show that ran from the 14th July - 30th July 2023 in Auckland, New Zealand. 'Monochrome' featured an international lineup that includes some of the best urban artists from around the world.

Explore the power of black and white as artists express depth, texture, and emotion through their monochromatic creations. These artworks make a statement that transcends colour. Let the allure of monochrome art transform your space into a gallery of elegant expression. ⁠

International Shipping: For our international customers, we provide reliable shipping options to deliver your artwork worldwide. The team at Pack and Send work with trusted international carriers experienced in handling delicate and valuable items to ensure your artwork reaches you safely. For international shipping prices, please contact us at contact@limngallery.co.nz with the name of the artwork and your location. We will be able to provide you with a quote within a business working day. 

About the artist:

Joos van Barneveld, better known as DOES, was born in Veghel, The Netherlands, in 1982. His prime passion was soccer and he trained and played as a professional player for soccer club Fortuna Sittard from the age of 9. In 1997 he discovered graffiti, a passion that coerced him into a double life. For more than a decade he was forced to combine the daily needs of a professional athlete with the night-time secrets of a graffiti writer.In 2010 a knee injury forced him to give up his career as a soccer player and rethink his future.

While many recognize him as an ultra-talented draftsman and an amazing colourist, DOES is today moving the boundaries of his own artistic research in new conceptual directions, looking at graffiti as an archive from which he can physically pull out samples that embody his own roots. He drills or peels off walls covered with spray paint to include these artefacts into sculptures made of plaster. He develops a kind of contemporary archeology of urban spaces, keeping a trace of the geographical coordinates of these walls, readapting the tools of a science that normally deals with past times to underline his own story and the impact of graffiti culture on our society.